I'm Paige.


I am Wiccan, but I'm new and still learning the ropes. I'm hoping that this blog will be a chance for me to share my experiences, as well as learn through reflection and the sharing of knowledge as I learn. Blessed be. )O(

Friday, March 28, 2014

Tools and Materials


BASIC TOOLS

Athame: a ritual knife used to direct magickal energy; this is usually a black-handled, double-edged knife, meaning that the blade is sharp on both side but it may be dull rather than sharp as this is not a cutting tool. This knife may be of wood stone, horn, metal, or jet, and could be a regular knife if visualised as the ritual tool (as with Kitchen Witch tools being taken from those used in daily work around the house). An athame may be a letter opener, pocketknife, etc as long as it is seen as a ritual too. The handle colour may also vary, but black is traditional.
Bell: may be a tiny bell with a delicate chime, or a larger bell used during ritual and to call upon the Fairie Folk (if delicate in tone); may be of brass, ceramic, crystal, silver etc.
Bolline: a cutting tool used in magickal work to inscribe candles, cut herbs, cut thread, or any other such use. Traditionally a double-edged blade, with a white handle, but any tool designated as the working tool may be used.
Bowls: one for salt, one for water, and one for the libation.
Broom/Besom: a ritual broom not used for housework, but for clearing the ritual space during Circle Casting, and for spell work.
Candle Holder: can be individual, candelabra, votive holders etc, but there should be one for the Goddess and one for the God, and one for Both and/or one for magickal work.
Cauldron: metal pot for magickal work; when burning a candle inside it you might want to put a layer of clean sand on the bottom of the pot; must be large enough to hold melted wax and to burn twigs inside without creating a hazard. Lidded is best, but if not possible, get a separate lid for covering when ready to put out any fire within.
Censer: container for incense that can be carried around the circle or set on the Altar; may be of brass, a shell, or any other suitable material (see Incense Burner below), and as a container should be partially filled with clean sand to hold the incense and prevent burns.
Cingulum: a nine-foot long cord of red silk, wool, or cotton cord that is knotted at Initiation (see Ritual), and worn with the robe, kept on the Altar, or wrapped around a tine of the Stang or around the top of the Staff.
Crystal Ball: a smooth sphere without facets, but may contain bubbles and other markings within; clear ones of natural quartz are very expensive, but manufactured lead crystal also works.
Cup: used for the beverage of Cakes and Wine, Esbats Rituals, etc. May be of pottery, silver, brass, crystal, wood, etc.
Incense Burner: suitable to hold the type of burning incense used; may be a stick holder, cone holder, or resin holder and made of wood, earthenware, ceramic, glass, brass, shell, etc (see Censer Above).
Pentacle: a flat disk with the five-pointed star in a circle engraved or painted on it; may be of wood, clay, ceramic, wax, brass, silver, gold, or simply drawn on a piece of paper.
Plate: one to hold the bread or other such food blessed in the Cakes and Wine ritual.
Robes: may want a variety of coloured robes depending on the type of ritual or spell work involved, or a basic white or black robe. The cingulum (cord) may be used with the robe to tie it about the waist.
Staff: used as a long wand, may be decorated and carried as an indication of Craft association or simply for walking in the woods.
Stang: may use this instead of an Altar, by sticking it into the ground or placing within a stand; decorated for the Sabbats.
Tarot Cards: choose a deck that draws you, and use for divinations; you may acquire a variety of decks over time.
Wand: should be the length of the forearm to the fingertip, about 12 to 16 inches; may be of oak, willow, hazel, apple, elder for the influence of those woods; select one from Nature or buy one but choose one that appeals to you; the tool most associated with Witchcraft is the wand.

BASIC MATERIALS

Altar Cloths: a variety of coverings for the Altar depending upon the ritual and the season; attractively patterned sarongs are often used for this purpose.
Beverages: variety of acceptable drinks, be they fruit juices, wines or liqueurs.
Candles: votives, tapers, jar, shaped, tea light styles in various colours.
Charcoal disks: used for resin incense such as copal or dragon’s blood.
Cloths: variety of solid colours of cotton cloth for use in spell crafting for wrapping tarot cards, crystals, stones, holding herbs, making poppets, herbal/dream pillows etc.
Cords: the cord designating the three styles if green practice are gold for energy worker within a cultural tradition, red for working with the Powers of Nature, and black fir dedication to the Goddess and the God. As many styles as have been used such colours may be combined or braided together. The red is also the cingulum of Initiation, to which later may e added the black after Dedication, but only with the red us the practitioner’s measure taken. The symbology is gold for energy work, red for powers, and black for wisdom and union with the Divine.
Glass Bottles: for herbs, oils, spell work, and storage of other items as needed. Rinse with spring water and sea salt to cleanse.
Herbs: a variety of herbs stocked in labelled containers (a glass jar is best; do not use plastic) and kept out of direct sunlight; used in spell work.
Incenses: stick, cone, resins in a variety of fragrances; will need charcoal disks made for incense if using resins. Light incense, look for glow then wave to extinguish the flame so only smoke results (this keeps the fragrance from getting harsh).
Matches: may be regular or long stick variety, or use a lighter.
Musical Instruments: may use drums, bells, flutes, harps, sistrums, cymbals, gourd rattles, other rattles, etc to aid in meditation, spell casting, energy raising, etc.
Oils: a variety of essential oils (rosemary, sandalwood, lavender, benzoin, rose geranium, frankincense, pine, juniper, mint, etc) for anointings (do not use cinnamon; it will burn) and spell work; fixed oils (olive, sunflower, almond, jojoba) for mixing own fragrance blends.
Salt: sea salt, rock salt used in rituals spell work and cleansings.
Spring Water: collected at a natural spring and stored for use in spell work and ritual, or bought packaged (remove from plastic container and store in a prepared glass bottle (see above).
Stones: a variety of crystals, semi-precious stones river, and Earth stones for use in spell, healing and aura work.
Threads: or embroidery floss of various colours for tying up magickal works.
Tiles/Trivets: used under items that will burn hot to avoid scorching a surface beneath.

Names

CRAFT NAMES


1. Craft Name - Openly used (Outer Court).
    A. Chosen by the Practitioner.

2. Working Name - Secret Name (never reveal).
    A. Chosen by the Practitioner.
    B. Bestowed by the Goddess and God.

3. Eke Name - Coven Name (used for Inner Court).
    A. Bestowed by Coven Leaders.
    B. Selected by Initiate to a coven.


NAMES OF THE GOD & THE GODDESS


1. May use generic labels of Lady and Lord.
2. May use Deity names that appeal.
3. May use/mix Pantheons that appeal.
4. May use inherited Family deity names.
5. May use Secret Names.
    A. Revealed by Deities to Practitioner.
         1. During the Dedication.
         2. Not to be shared with anyone.
    B. Covens names for Deities.
         1. Revealed at Initiation.
         2. Not to be used out of coven.





Monday, March 24, 2014

Esbat Notes

I. There may be thirteen Full Moons in a Solar Year of twelve months, meaning that one month will have two Full Moons. The Esbat Lunar Cycle begins with the Full Moon close to Yule (N) and this is the Oak Moon. All the other Moon Names follow from this in sequence. The two Full Moons in one month often occur in July/August.

II. There are three descriptive names for Full Moons that are used only when the event they describe occurs, and are used in addition to the usual name of the Moon. These three descriptive names are: Blood Moon, Blue Moon, and Sidhe (or Otherworld) Moon. The Blood Moon is uncommon, and shows the Moon as a russet to dark red wine colour. When it does appear, it is generally between August and October, and adds Power, Energy, or Aggression to the Full Moon of that month.
The Blue Moon is a name given for the given for the second Full Moon as it occurs in any Month, being in addition to the named Moon of the month, adding Spiritual Energy.
The Sidhe Moon is the name given for the second Dark Moon as it occurs in any month. When it does occur, it adds Intuitive Power, Psychic Energy, or Occult Wisdom to the Dark Moon of that month.

III. The names for the yearly Twelve Full Moons are:


1. Oak Moon - December
2. Wolf Moon - January
3. Storm Moon - February
4. Hare Moon - March
5. Seed Moon - April
6. Drayad Moon - May
7. Mead Moon - June
8. Herb Moon - July
9. Barley Moon - August
10. Harvest Moon - September
11. Hunter's Moon - October
12. Snow Moon - November

13. Blue Moon (The second Full Moon in any Solar Month)


IV. The New Moon Esbat may be celebrated at the last sliver of light before turning Dark.

V. The Dark Moon Esbat shows no light, and is generally not used for magickal work.

VI. Use given name or a Craft Name; use Working or Secret Name only if alone.






Last post of the night! - Book List

"Damiana's Reading Room
December 24, 2012 at 10:56pm
This is not a comprehensive list of every occult, witchcraft, herbalism or Celtic books ever published. Instead, it is a list of books worth buying, reading and treasuring. You know, the good stuff! This list will continue to evolve as I work my way through my library - it's also open to suggestions, so feel free to email me a title you think should be included, and why it is deserving of recommendation.

Australian books/authors
What Is Magic by Caiseal Mor
Witches of Oz by Matthew & Julia Philips
Sorcerers and Jealing Spirits by Janice Reid
Dancing the Sacred Wheel by Frances Billinghurst
Pan's Daughter by Nevill Drury
Practising the Witch's Craft by Doug Ezzy

The Classics:
Aradia or the Gospel of the Witches of Italy by Charles G. Leland, 1899
The Fairy-Faith in Celtic Countries by W.Y. Evans-Wentz, 1911
The Golden Bough by James George Frazer, 1922
The History of the Devil: The Horned God of the West by R. Lowe Thompson, 1929
The Greater Key of Solomon edited by Samuel L. Macgregor Mathers, 1914
The Secret Commonwealth: An Essay on the Nature and Actions of the Subterranean (and for the Most Part) Invisible People, Heretofore Going Under the Name of Elves, Fauns, and Fairies by Robert Kirk, 1691
The White Goddess: A Historical Grammar of Poetic Myth by Robert Graves, 1966
The Hero with 1000 Faces by Joseph Campbell
The Book of the Law by Aleister Crowley

Modern Classics:
The Complete Art of Witchcraft: Penetrating the Secrets of White Magic by Sybil Leek, 1971
Fifty Years in the Feri Tradition by Cora Anderson
Witchcraft Today by Gerald Gardner
High Magic’s Aid by Gerald Gardner, 1949
Mastering Witchcraft: A Practical Guide for Witches, Warlocks & Covens by Paul Huson, 1971
Natural Magic by Doreen Valiente
Rebirth of Witchcraft by Doreen Valiente
Witchcraft for Tomorrow by Doreen Valiente
The Writings of Roy Bowers (Robert Cochrane)
Nightside of Eden by Kenneth Grant
Mystical Qabbalah by Dion Fortune
Psychic Self Defence by Dion Fortune

Shamanism
The Way of the Shaman by Michael Harner
Cunning-Folk & Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic by Emma Wilby, 2006
Singing With Blackbirds: The Survival of Primal Celtic Shamanism in Later Folk-Traditions by Stuart A. Harris Logan, 2006
Shamanism: Archaic Techniques of Ecstasy by Mircea Eliade, 1951
Shamans Sorcerers and Saints: A Prehistory of Religion by Brian Hayden, 2003
The Way of Wyrd: Tales of an Anglo-Saxon Sorcerer by Brian Bates, 1984
Witchcraft and the Shamanic Journey (aka North Star Road) by Kenneth Johnson, 1999

Hands-on
Initiation into Hermetics by Franz Bardon
Sorgitzak: Old Forest Craft by Veronica Cummer
A Century of Spells by Draja Mickaharic
Complete Book of Incense, Oils & Brews by Scott Cunningham
Crones Book of Words by Valerie Worth, 1971
Crones Book of Charms & Spells by Valerie Worth, 2002
Hoodoo, Herb and Root Magic by cat yronwode
Magical Herbalism by Scott Cunningham
Spiritual Cleansing: A Handbook of Psychic Protection by Draja Mickaharic
Magical Use of Thoughtforms by Dolores Ashcroft-Nowicki & JH Brennan
The Ritual Magic Workbook: A Practical Course of Self-Initiation by Dolores Ashcroft-Nowick
The Initiate's Book of Pathworkings: A Bridge of Dreams by Dolores Ashcroft-Nowicki

Herbalism
Cunningham’s Encyclopedia of Magical Herbs by Scott Cunningham
The Herb Book by John Lust
Herbal Medicine-Maker’s Handbook: A Home Manual by James Green
Magical and Ritual Use of Aphrodisiacs by Richard Alan Miller, 1985
Magical and Ritual Use of Herbs by Richard Alan Miller, 1983
Witchcraft and the Shamanic Journey by  Ken Johnson
Pharmako Trilogy by Dale Pendell
Plant Spirit Shamanism: Traditional Techniques for Healing the Soul by Ross Heaven & Howard G. Charing
Witchcraft Medicine: Healing Arts, Shamanic Practices, and Forbidden Plants by Claudia Müller-Ebeling, Christian Rätsch, and Wolf-Dieter Storl, 2003
Other books of note
The Black Pullet
Traditional Witchcraft: A Book of Cornish Ways by Gemma Gary
The Black Toad: West Country Witchcraft and Magic by Gemma Gary
Village Witch by Cassandra Latham-Jones
Children of Cain: A Study of Modern Witchcraft by Michael Howard
A History of Modern Wicca by Michael Howard

*With thanks to The Witch of Forest Grove (www.witchofforestgrove.com) and Witches WorkShop (www.witchesworkshop.com) for additional recommendations I have taken onboard over the years, and incorporated into my own library."

Also Grimoire for the Green Witch, by Ann Moura. She's brilliant, and has heaps of books worth checking out :)


Next set of info posts

So next I intend to start a series of posts about Esbats and other things relating to the Moon :)

I don't have time to start tonight because it's getting late, but hopefully I'll start tomorrow :)



Familiars

So I recently came to a realisation that I was probably pretty thick to have missed earlier.

My cat Bella is my familiar. I've called her my familiar for a while, without having a true understanding of our relationship.

She's my baby. I raised her from when she was a tiny kitten with trust issues stemming from mistreatment before we adopted her, and I've loved and supported her the whole time.

Likewise, she's watched me grow and go through life changes, and been my main comfort and non-judgemental friend.

However, I recently moved flats into a house with two cats, and Bella isn't overly social. As a result, she spends a lot of time outside (after she got out the first night, I figured that as she came back it would be fine if I let her out again). I get pretty twitchy if I don't see her for a couple of days, especially now that we're in a new place.

But I recently realised our connection. When she's outside, I call for her until my voice is hoarse, and she doesn't come (she's stubborn and independent what else should I expect?). But when she wants to come inside, I feel a tug to go check the door, or go call for her again.

Everytime that I feel this tug, she's sitting outside, or meowing at me from the path.

So I've recently come to understand that we have a low-key psychic connection, probably stemming from spending so much time together. Or maybe she's my furry soulmate. Either way, I love her and I know how to contact her :) I've started trying to call her telepathically. It's not an exact science, as she's never come when she's called anyway, but she usually shows up later, so maybe it's working.